Ms McVey, I am sure that if you were not in the Chair, you would be participating in this debate, because I know that you have an interest in this area not only as a Member of Parliament, but personally. I am not sure whether there is a recording of your performance in “The Vagina Monologues” years ago, but there are many other recordings of you around, and I am sure you would want to enforce your copyright in relation to them as well. Today is not only the 48th birthday of my hon. Friend the Member for Bury North (Mr Frith) and Shakespeare’s 461st birthday, but Turner’s 250th birthday. I suppose we could all join in singing “Happy Birthday” since, interestingly enough, it came out of copyright in 2015 because Warner Chappell lost a lawsuit over whether it maintained the copyright. The fact that people had to pay for it is one of the reasons that it rarely appeared in films and instead people ended up singing “For He’s a Jolly Good Fellow”—or “For She’s a Jolly Good Fellow”—which always seemed rather odd. There are some things that I think we all agree on. First, an honest day’s pay for an honest day’s work is a fundamental principle not just of the Labour party, but of the whole of British society in how we order ourselves. Another hon. Member said that creators deserve to be paid. I completely and utterly agree, and so do the Government. The right hon. Member for Hayes and Harlington (John McDonnell) referred to the performers’ rights framework. He is quite right: that does need some review, and we are looking at it. Secondly, it is patently wrong to use pirated material to train large language models. I have to be careful, because—I declare my own interest as an author and member of the Society of Authors—it has been noted in several newspapers that my own work was scraped in the use of the Library Genesis dataset by Meta Platforms Inc. Such use is patently wrong and I do not think anybody disagrees with that. Thirdly, we should never characterise the creative industries as luddites. That is simply and patently untrue. I recently went to Ninja Theory, a video games company in Cambridge. It uses AI all day, every day, as an integral part of making sure that any game it presents is at the cutting edge of modern gaming. The same could be said of so many creative industries, not just about their use of AI but about their use of innovation. I want to knock this on the head: nobody in Government is saying that the creative industries are luddites. It is perfectly legitimate for people to have concerns about their future remunerative stream, and we acknowledge that. It is not just video games; musicians and people in so many other parts of the creative industries use AI. Indeed, we should not forget that a large chunk of the creative industries is tech companies that are developing AI. As several hon. Members have noted, those companies have their own copyright concerns—otherwise, how will they make a living into the future?—but the irony of some complaining about others stealing their work is not lost on anybody.