Context
UK creatives are facing difficulties with touring, including an incident where a German punk band faced bureaucratic issues at the border.
Question
We knew things were bad for UK creatives when, last year, an Andrew Lloyd Webber company chose to take a Chinese production of “The Phantom of the Opera” on European tour rather than a home-grown one, because it was cheaper and less hassle. But last week at Calais, the German punk band Trigger Cut spent three days wrangling over the permitted entry route only to be told they were not professional enough musicians. Since when was that kind of judgment part of a customs officer's duties? Will the Government urgently negotiate friction-free touring? This situation is wrecking livelihoods, our cultural offer and our reputation abroad.
Answer from Julia Lopez
I appreciate that a number of cases recently have caused concern; I am happy to take those up with the Home Office, including the case of Trigger Cut. I know there was also an issue in relation to the Khmelnitsky Orchestra from Ukraine, which was unblocked with help from ambassadors. There are creative routes to come here, but if there are any frictions, my Department is eager and happy to resolve them.
Not addressed: Did not commit to urgent negotiations for friction-free touring
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