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UK Musicians: EU Visa Arrangements
19 January 2021
Lead MP
Caroline Dinenage
Debate Type
Ministerial Statement
Tags
BrexitCulture, Media & Sport
Other Contributors: 40
At a Glance
Caroline Dinenage raised concerns about uk musicians: eu visa arrangements in the House of Commons. A government minister responded. Other MPs also contributed.
How the Debate Unfolded
MPs spoke in turn to share their views and ask questions. Here's what each person said:
Government Statement
The Government recognises the importance of the UK's world-leading cultural and creative industries, demonstrated by providing £1.57 billion in support during the pandemic. During Brexit negotiations, they sought to push for arrangements allowing performers and artists to work easily across Europe but were rejected by the EU. As a result, UK cultural professionals will now need to check immigration and visitor rules for each member state where they intend to tour, leading to potential visa or work permit requirements. The Government is delivering an extensive engagement programme with Arts Council England and other sector bodies to help clarify new requirements. They are also looking at ways to make life easier for those working in the creative industries and will continue dialogue with affected sectors.
Pete Wishart
SNP
Perth and Kinross-shire
Question
The questioner highlights the disappointment of artists unable to tour freely due to Brexit. He asks if the Minister acknowledges that visas will render tours beyond financial reach for future musicians, increases costs and red tape for the entire sector, and questions why a 90-day deal was turned down despite previous promises not to change arrangements. The SNP also calls for complete transparency in negotiations.
Minister reply
The hon. Gentleman's briefing is selective; the EU did not offer a viable solution as it contradicted the Government’s manifesto commitment on border control. The UK’s proposals were based on extensive consultations with industry professionals, unlike the broad and non-compliant EU offers. The Government now focuses on clarity for businesses rather than recriminations and remains open to negotiations.
Question
The hon. Member inquires about commitments to an overarching strategy involving urgent negotiations for a pan-EU musicians visa, as well as backing for covid insurance to help festivals and live music sectors plan ahead.
Minister reply
My hon. Friend is correct; clarity and certainty are needed amidst varied member state rules. The Government seeks simplicity in touring processes. Regarding insurance, discussions with the Treasury are ongoing to address barriers for live music events later this year.
Alison McGovern
Lab
Birkenhead
Question
The MP draws the House's attention to her entry in the Register of Members' Financial Interests and raises concerns about the Government blaming the EU for visa issues faced by UK musicians. She asks for clarity on the nature of the EU's proposal, when it was proposed, and whether the UK offer was more than standard visa policy. Additionally, she seeks details on correspondence between the UK and the EU regarding this issue.
Minister reply
The Minister explains that during negotiations, the EU tabled texts regarding short-stay visa-free travel but did not propose tailored deals for musicians or their support staff. She states that the UK's proposals were based on industry views to allow easier cross-border work without needing work permits and acknowledges ongoing discussions with member states.
Damian Green
Con
Wallsend
Question
The MP emphasises the importance of UK musicians' international success for both economic benefits and cultural promotion. He inquires about assurances that a deal allowing tours was not turned down and asks what steps are being taken to resume negotiations.
Minister reply
The Minister confirms the Government's recognition of the industry's importance and explains efforts to facilitate cross-border arrangements despite the EU's rejection of tailored deals.
John Nicolson
SNP
Caithness, Sutherland and Easter Ross
Question
Criticising the visa barriers introduced by Brexit, the MP cites negative impacts on touring musicians' income due to new barriers and red tape. He demands publication of correspondence between EU and UK governments.
Minister reply
The Minister reiterates support for cross-border visits and performances while acknowledging that artists from both regions are encouraged to visit each other's countries.
Selaine Saxby
Con
North Devon
Question
Inquiring about the number of music venues and organisations benefiting from the £1.57 billion culture recovery fund.
Minister reply
The Minister confirms that over 680 awards worth more than £111 million have been made to music organisations under the culture recovery fund.
Kevin Brennan
Lab
Cardiff West
Question
He asks for details of discussions between EU and UK governments, highlighting issues faced by emerging musicians who travel solo or with minimal tech support.
Minister reply
The Minister agrees to look into publishing information on the negotiations while acknowledging the need for easier touring arrangements for new artists.
Gagan Mohindra
Con
South West Hertfordshire
Question
He confirms that UK's proposals were based on industry views and would have allowed musicians to perform in EU countries without work permits.
Minister reply
The Minister agrees, reiterating the collaborative approach with stakeholders like UK Music and Musicians’ Union.
Jamie Stone
Lib Dem
Caithness, Sutherland and Easter Ross
Question
Expressing concern about concert promoters opting for easier options and movement of musical instruments, he requests a meeting to address these issues.
Minister reply
The Minister offers to meet with musicians knowledgeable about the issue, highlighting regular engagement sessions with industry representatives.
Sara Britcliffe
Cons
Hyndburn and Haslingden
Question
I have had quite a number of constituents contact me from Hyndburn and Haslingden highlighting their concerns on this, so can the Minister please reassure my constituents by outlining what the Department is doing to address it?
Minister reply
My hon. Friend is a great champion for her local area and will be taking the concerns of her constituents incredibly seriously, as indeed do we. We understand that we need to work with all the music sector trade bodies to make sure that we give people access to the information they need as to the situations in all the individual nation states; they are all different, which is one of the most confusing things about this.
Fleur Anderson
Lab
Putney
Question
In Putney, creative artists and support staff have already been damaged by the uncertainty around Brexit, on top of the covid effects that mean they are not able to tour. This failure of negotiations on a creative industry 90-day visa is letting down industry and the arts. Is the Minister really just going to sit back with her door open, or will she re-enter negotiations and be prepared for some give and take with individual countries to get that tailored deal that the creative industries really need?
Minister reply
I do not know what I have said during the course of today that could ever give the hon. Lady the viewpoint that I am just prepared to sit back and do nothing about this, or that I am happy with the way things have panned out; I voted for the trade agreement, but I presume so did she. We are not sitting there doing nothing. We are talking and will continue to talk to EU member states.
Question
I have been contacted by a number of constituents on this issue, notably the Furness Tradition group. Could my hon. Friend confirm that, despite some of the reporting in recent days, touring in the EU is still possible for UK artists and musicians, and that the Government are working towards a more formal arrangement with the EU?
Minister reply
Quite simply, of course touring is still encouraged. Artists and musicians from the EU are very welcome and encouraged to visit and perform in the UK, and absolutely vice versa. I am sure that individual member states have different restrictions when it comes to visas and work permits; some are very limited, some are a little bit more complicated.
Question
I am sure the Minister will agree that this is a double whammy for anyone who cares about levelling up and the creative industries in West Yorkshire and beyond. Recent figures show that the creative industries in West Yorkshire and the Humber have grown by 10.9%. It is really important for jobs and opportunities that we keep this industry flourishing, so will the Minister tell us what the Government have put in place to compensate for the inevitable loss of these opportunities, and will she make available what impact assessment has been done on the changes that this will make to the ability of businesses to continue to flourish after covid?
Minister reply
Of course we know that this has been such a horrible year, particularly for the sectors that I represent—the cultural and creative industries in west Yorkshire and around the whole UK. Covid has been a bitter blow. Of course we did not get the agreement with the EU that we wanted on touring musicians, but we want to do everything we can to support them, including providing clear, easy-to-access information and speaking to our colleagues in EU member states.
Question
The Edinburgh Fringe is the largest arts festival in the world. I hope the Minister will be aware that this event and others like it have a vital role to play in developing new work and providing a springboard for artists who then subsequently tour that work. Does she therefore not understand that by refusing to maintain a visa exemption for artists, she is fatally undermining festivals in Scotland and the United Kingdom?
Minister reply
I am a massive fan of the Edinburgh Fringe and, in fact, of all the Edinburgh festivals. Last summer was the first in any since I can remember that I was not able to go to Edinburgh to see them at first hand and it was something that I missed greatly. Very recently, just before Christmas, I met representatives from across the Edinburgh festivals to talk about all the issues that they are facing, particularly with regard to coronavirus, but others as well.
Question
British bands and professional musicians represent a hugely successful cultural export for the UK. I know that the Minister recognises that and I know that she understands the importance of international touring in that success, but may I ask her what more she can do on a bilateral basis with her counterparts in EU member states to find specific solutions to the problems that we are discussing today and ensure that touring remains as easy as possible for our world-leading musicians?
Minister reply
I thank my right hon. Friend for that question. Of course, as I have said, the door is open and I would love to be able to change this across the board straight away, but that will not be possible in the immediate or foreseeable future. It is all about having those bilateral conversations with colleagues in EU member states.
Question
Van Morrison penned the protest song “We Are Born to be Free”, but it appears that musicians like him and others are now completely caught up in a red tape trap and are not free at all. Can the Minister clarify the situation with regard to carnets for musicians and instruments travelling from GB to Northern Ireland and from Northern Ireland back to GB? Can she confirm that they are definitely not required within the UK? However, once a person gets to Northern Ireland, will they be required to travel south, or will the common arrangements that we have with the Republic of Ireland still be in place? Once south, can a person then onward travel without a carnet to the rest of Europe? Can we have clarity on those issues?
Minister reply
Van Morrison also penned “Brown Eyed Girl”, which is my own personal anthem. I thank the hon. Gentleman for that question. Artists and organisations based in Northern Ireland will not be required to obtain ATA carnets or musical instrument certificates when touring in the EU because the Northern Ireland protocol means that Northern Ireland is part of the same regulatory environment for goods as the European Union.
Question
A number of my constituents in the entertainments, arts and creative industries have contacted me setting out the impacts that the new immigration restrictions will have on their livelihoods. It is clear that the UK Government strived to gain a mutually beneficial agreement with the EU. Will the Minister therefore set out what steps the Government are taking to continue to urge the EU to return to the negotiating table and reopen discussions to reach a more preferable agreement for all parties? May I take this opportunity on behalf of my constituents to ask the EU to reconsider its position?
Minister reply
I thank my hon. Friend for that question. The negotiating team did negotiate an opportunity to come back and review this in the years ahead, so the light at the end of the tunnel is not entirely switched off. But there is quite a lot we can do between European nation states to try to make things a lot easier and straightforward.
Question
As well as issues with visas or work permits, UK musicians working in EU countries risk being double-charged their social security contributions if they work in a country that has opted out of the social security co-ordination under the detached worker rules. Can the Minister set out what the Government are doing to avoid that and ensure that UK musicians do not face that financial penalty while they are working in the EU?
Minister reply
I am really pleased that the hon. Lady has given me the opportunity to answer that question. The protocol on social security co-ordination secured in the agreement ensures that UK nationals and EU citizens have a range of social security cover when working and living in the EU and the UK. It also supports business and trade by ensuring that cross-border workers and their employers are only liable to pay social security contributions in one state at a time.
Bob Blackman
Con
Harrow East
Question
There is clearly no substitute for live music and during the covid pandemic opportunities have been severely depressed. In addition to having discussions on how we might ensure musicians can travel within the European Union and within the UK, can my hon. Friend update the House on what discussions she has had with TV companies to allow emerging musicians in particular the opportunity to have their music recorded and broadcast in parts of the European Union?
Minister reply
As ever, an ingenious question from my hon. Friend. I know that so many of our brilliant cultural organisations have worked really hard to improve their digital offer, particularly over the various lockdowns. Earlier in the year, I visited the Bournemouth Symphony Orchestra and saw the amazing work it is doing to bring its beautiful music to audiences around the world because of the investment it has made in that capacity. He has hit on a really strong concept. I will discuss it with my dear colleague, the Minister for Media and Data, my right hon. Friend the Member for Maldon (Mr Whittingdale).
Pontypridd
Question
The Minister may not be aware of this, but the world-renowned Cory Band from Rhondda Cynon Taff are the current European brass band champions. To travel through Europe to defend their hard-fought-for title, and to visit the concerts and workshops, each member of the band will now require a visa and a work permit, despite them being an amateur organisation. This will undoubtedly add an additional financial and administrative burden that could be avoided. What discussions has the Minister had to ensure that brass bands from across the UK can continue to fly the flag for us in Europe without this bureaucracy?
Minister reply
I was not aware of the hon. Lady’s band and I wish them the very best of luck in their endeavours to defend their fantastic title. If the tour they are going on is not paid by the individual venues they are visiting, there may not be an issue here. The band would have to discuss that with individual member states to get clarity on that, but I am very happy to speak to her further about it.
Richard Fuller
Con
North Bedfordshire
Question
It is clear that this issue gets to the core of our inextricable cultural links with our European partners. It is good to see the Minister stressing the urgency of securing bilateral agreements and ensuring that current arrangements are simplified for people. May I make a special request that she bears in mind individual musicians, many of whom carry multiple instruments, in her efforts to simplify the current arrangements?
Minister reply
As ever, my hon. Friend makes an excellent point. There are so many facets to this issue that we need to keep in mind as we move forward. That is certainly something that I am very happy to talk to him further about.
Munira Wilson
Lib Dem
Twickenham
Question
I have been contacted by a number of constituents—not just musicians, but actors, dancers, choreographers and puppeteers—about the Government’s failure to secure visa-free work permits for touring artists in the EU. This comes as a further hammer blow to their livelihoods, with the continued shutdown of live entertainment as well as the huge gaps in the Government’s support for many working in these industries. What assurances can the Minister give to my constituents, particularly students such as Fresca David, who is just starting out on her career, that they are not being treated as an afterthought by this Government?
Minister reply
My message to the hon. Lady’s constituent would be that the Government entirely recognise the vital importance of the UK’s thriving creative artists. We want to support them in every way we can. I am just so pleased that there was not a Liberal Democrat Government, who would have voted for no deal.
Andrew Bowie
Con
West Aberdeenshire and Kincardine
Question
This is a really serious issue and Scottish musicians will undoubtedly be affected. Does my hon. Friend agree that, instead of simply masquerading as a serious party of Government, the Scottish National party should start acting like one, cease these politically charged, ill-informed, deliberately misleading games—an example of which we have seen today—that do nothing to help the situation, work with us and support us in attempting to find a mutually agreeable solution, support Scottish musicians who have been let down by the EU’s decision not to accept our compromise proposals, and work to get an agreement over visa arrangements?
Minister reply
My hon. Friend hits the nail on the head. What we need to do now is to move forward. We need to come forward with sensible proactive solutions for the UK music sector. The industry itself has said that what we need now is clarity, not recriminations. That is what we are working to provide and we very much appreciate support from across the House for us to do that.
Question
My Belvidere constituent, Louise McLean, is just one of the many people connected to the music industry who can see that live performers are just the latest casualty in a Brexit that Scotland did not vote for. Last year, as Culture Minister, the hon. Member for Selby and Ainsty (Nigel Adams), said: “It is essential that free movement is protected for artists post 2020.”—[Official Report, 21 January 2020; Vol. 670, c. 56WH.] Does the hon. Lady agree with her ministerial colleague? Why was that view ignored in Government, if it is also the view of the music industry?
Minister reply
Yes, absolutely, I agree with the comments of my predecessor. That is why we put to the EU fantastic proposals, which were based on the views of the music industry, would have been mutually beneficial and allowed musicians and support staff to tour. We are very disappointed that the EU did not see it the same way.
Caroline Nokes
Con
Romsey and Southampton North
Question
I was pleased to hear my hon. Friend mention technicians—the sound and lighting engineers who make touring possible. When she is looking for a solution, which I know she is doing, will she also include companies such as Beat the Street in Romsey, which provides the tour buses that make it possible for artists to travel Europe? It will spell a death knell for the entire industry if they are not able to access the continent.
Minister reply
My right hon. Friend is such a great champion for businesses in her local area, particularly those that have been so badly affected, not just by covid, but by the very disappointing EU refusal to accept our very reasonable propositions. She will know that the sector has benefited from a range of different support measures over the last year that were put in place because of covid, but we do need to support it moving forward. The EU’s proposal would not have worked because it would not have supported the valuable support workers in my right hon. Friend’s constituency to do their work. Quite simply, without them, touring would not be possible.
Question
The Minister and Conservative MPs keep claiming that they made this fantastic offer, but we cannot test that because they have not published it. The EU has. It is there in black and white on page 171 of the draft agreement from March last year, allowing 90-day visa-free touring by British musicians and other cultural activities. Will the Minister publish the Government’s proposal, so we can see where the truth lies?
Minister reply
I have to correct the right hon. Gentleman. The document does not say 90 days visa-free touring by UK musicians; it is a lot more opaque than that, which is why we could not simply sign up to it. It just would not have delivered what we needed for our musicians, and it flew in the face of what the British public voted for in the case of controlling our borders. As I have already said, I will speak to colleagues across BEIS and the Home Office to see what further details on the negotiations we can publish.
Richard Holden
Con
Basildon and Billericay
Question
As you know, Mr Speaker, the north of England has helped to form and then exported some of the biggest musicians and bands across the world in recent decades. Touring is not a “nice to have”; it is an absolute financial necessity for musicians from both the UK and the EU. Can the Minister confirm that it was the UK Government who pushed for a more ambitious agreement with the EU on temporary movement of business travellers, and that it was the EU that unreasonably rejected this proposal?
Minister reply
I thank my hon. Friend for putting it so simply and succinctly; that is exactly what happened. The proposals that we put forward would have allowed musicians to travel and perform in the UK and the EU more easily, and they were rejected by the EU.
Maria Eagle
Lab
Liverpool Garston
Question
I have been listening to the Minister’s replies, and it is always somebody else’s fault with this Government, isn’t it? Our world-class events and production companies, such as Adlib in my constituency, tour the EU with UK and US-based musicians, but very few EU-based companies tour the UK. Does not the Minister realise that her giving up on agreeing comprehensive arrangements to enable this to continue could destroy a sector that has huge export success and destroy the jobs and livelihoods of the technicians, who are already struggling because of the pandemic restrictions to their trade?
Minister reply
Of course I recognise that this is not the solution that we would have wanted, and it is not the solution that we fought really hard for. I point out to the hon. Lady that the Labour party voted for this deal in the full knowledge of what it involved, including the end to freedom of movement.
Question
From The Horns to the Colosseum to the Palace Theatre, music literally beats at the heart of my constituency of Watford. That means that we have many amazing musicians. They are asking me whether my hon. Friend can confirm that it was not the UK that ended these visas, and what measures are going forward to support this amazing sector?
Minister reply
My hon. Friend is such a vibrant champion, and not just for the music industry in his constituency; we have also spoken about the film industry. I expect him at any moment to be descending from the ceiling on a wire in the next “Mission Impossible” movie. He does it all with great panache, and that is exactly what we want to do. The cultural recovery fund has been about supporting music venues so that musicians can get back to doing what they love. Arts Council England is there to support them. We will look at every opportunity we have to put in place more of that vital encouragement and support.
Arfon
Question
Professor Paul Carr of the University of South Wales reports that in 2019 music tourism alone generated a spend of £124 million in Wales, supporting 1,754 jobs. The Government’s failure to secure visa-free travel is a huge blow, especially to young people at a tipping point in their creative careers. In particular, it will diminish the strong international quality of our national culture. What assessment has the Minister made of the long-term impact of this wholly avoidable mess, specifically on the cultural industry in Wales?
Minister reply
We know that there will be obstacles in the immediate period for those who want to travel and tour abroad, but I am sure that that will change once we enable people to access the information they need and they can see what the situation is with all the different member states, because they all vary wildly. In Wales in particular, musicians are dedicated, vibrant, resourceful and practical, and I know that they will overcome any bumps in the road to be able to do what they do so brilliantly and to continue to share it with our European neighbours.
Crispin Blunt
Con
Reigate
Question
I thank you, Mr Speaker, and the hon. Member for Perth and North Perthshire (Pete Wishart) for providing the opportunity to help the Minister correct the misleading social media chatter among professional musicians and other performance artists, and from Opposition Members, about exactly where the responsibility lies for this situation. Will she confirm my impression that the European Union negotiators appear to have rather cynically used and abused the interests of its musicians and its music fans to undermine the United Kingdom Government’s commitment to its own citizens around regaining control of our borders? However ungrateful and ungracious the Musicians’ Union has been in regard to my hon. Friend’s efforts—
Minister reply
My hon. Friend is right that we did fight very hard for this. We understand this not just for performers from the UK, but—he is absolutely right—for performers from the EU as well, because the UK music scene is, I would say, the best in the world, and putting any obstacles or tests in the way of EU performers coming here is a very difficult position for them as well. We are a lot more forthcoming: we do not put in place work permits, and we have a lot more sensitive approaches to visas for performers coming across from the EU. It would have been lovely for that to have been the situation right across all EU member states as well.
Martyn Day
SNP
Linlithgow and East Falkirk
Question
Similar to many families in my constituency, artists have been pointing out that many bands comprise a mixture of EU and UK nationals. Does the Minister not see the impossible situation that they will now face, with different members being faced with different levels of bureaucracy and red tape wherever they tour?
Minister reply
Absolutely; I understand the hon. Gentleman’s suggestion that this causes a problem for bands, in particular, or orchestras who have members from all different EU member states. The guidance is that we all have to seek instructions from each member state on how we proceed, but had the EU accepted our suggestions in the first place, we would not be in this position.
Scott Mann
Con
Tendring
Question
I am sure that my hon. Friend would agree that our world-leading artists and musicians are not just important to the UK economically, but vital to our country’s culture and soft power. The arts play an important role in my constituency, where we have the Leopallooza festival and the Rock Oyster festival, attracting hundreds of talented artists and performers. Given that, I was disappointed to hear of the EU’s rejection of the UK’s visa-free travel offer. Will she commit to doing what she can to secure access to EU countries for UK artists and musicians and keep negotiating to try to encourage the EU to show some flexibility, for the sake of my constituents?
Minister reply
Yes, of course, we will keep that negotiation open and try to make things as simple and as painless as possible. Our door remains open if the EU wants to come back and look at this again. Where visas apply, our agreement with the EU does contain measures that will help to ensure that processes are as prompt and smooth as possible, and we will work to exploit those as much as we can.
Clive Efford
Lab
Eltham
Question
This morning, the UK music industry told the Digital, Culture, Media and Sport Committee that despite being 1% of the world’s population, the UK produces 10% of its music. This industry has been one of the fastest growing over the last 10 years. It employs 2 million people, with the potential to create 1 million jobs in the next 10 years, so I am incredulous that the Government have got us into this situation. Will the Minister say when she will start the negotiations on a supplementary agreement so that we can sort this mess out?
Minister reply
The hon. Gentleman is right to say how incredibly successful our music industry is around the world, and that is why we fought so hard to get much better arrangements in the agreement. What we need to do now is ensure that our sectors are prepared to face any challenges in the future, which is why we are continuing those dialogues with them to understand the ongoing impacts and challenges that may be faced. We need to ensure that they have the right support at the right time and do everything we can to work with other member states to ensure that the transition is as smooth as possible.
Damian Collins
Con
Bromley and Chislehurst
Question
In addition to trying to improve visa-free travel for musicians, could my hon. Friend say whether the Government hope to progress on easing the movement of musical equipment from country to country within Europe, so that it is not treated like any other physical goods, and on easing the cabotage restrictions for festivals and bands? Finally, can she confirm whether EU-based music showcases fall under the short business trip exemption for conferences, trade fairs and exhibitions? These showcases are often so important in making the careers of developing talent.
Minister reply
With regard to the haulage—the cabotage—that has not been imposed just on us because we have left the EU. They are rules that apply to both UK and EU haulage firms. I want to speak more about this with colleagues in the Department for Transport and with European colleagues to see what more can be done to address it. It impacts not just us but companies that are moving musical equipment across Europe, no matter which European member state they come from. As for my hon. Friend’s other question, if performers are visiting in a business capacity, that is to negotiate a future tour, for any other scoping arrangements or for various other things, that would fall under the business visa waiver. It is always really important to check the individual rules of that EU nation—that member state—to ensure that they do not have anything that would need to be abided by.
Mary Foy
Lab
City of Durham
Question
Thank you, Madam Deputy Speaker. I think we can all agree that no competent Government would accept such a significant loss of revenue for an already struggling sector without a plan B to mitigate the economic impact. Can the Minister tell me what plan is in place to make up for the financial shortfall for the creative industries resulting from the Government’s failure to negotiate visa exemptions with the European Union?
Minister reply
I just want to make sure that the hon. Lady is not labouring under any misapprehension that the EU made a bespoke offer on musicians that we turned down. That simply is not the case. We fought very hard to get a solution that would have worked to the benefit of our musicians and those from the EU. As ever, we want to ensure that our music industry is supported. We supported it with the cultural recovery fund, and Arts Council England has a range of grants and financial support on offer. On this particular issue, we will speak to colleagues in the Treasury to see whether any support can be put forward at a future fiscal event.
Steve Brine
Con
Winchester
Question
Surely the longer this situation persists the worse it gets for UK artists, and the longer their recovery from covid becomes. Right now, musicians, agents and those who book for them have way too much risk in fixing European gigs. It is no good Opposition Members who voted for no deal joining the debate now. We have the deal, but surely we need to return to it with the sensible UK proposal that was on the table, which presumably, as the Minister has said today, still stands.
Minister reply
My hon. Friend has just hit the nail on the head, and does so in a much more articulate way than I could. That is absolutely right: the deal is still on the table and our door is open for the EU to come back and take up that deal if it wants to. In the short term, we are speaking to member states bilaterally about the visa regime and whether there is any facilitation, as opposed to a waiver, that could be put in place. What the sector now needs is certainty and for us to be able to put in place the guidance and support for it to move forward.
Dave Doogan
SNP
Angus and Perthshire Glens
Question
The Minister acknowledged that this situation is deeply unsatisfactory, and so too have the many MPs who have signed my early-day motion highlighting this crisis for touring artists. Today she committed her Department to preparing the creative sector for this new regime. Can she assure the House that this will be better than the way that the Department for Environment, Food and Rural Affairs helped to prepare fishermen and farmers, which was to throw them off the bureaucratic cliff? Is she not worried that this wanton and wholly avoidable impediment to the fraternal sharing of arts and culture exposes a rather narrow and isolationist vision of the future by this UK Government?
Minister reply
The key is ensuring that we put in place the guidance and support that the sector needs to be able to deal with the new changes. We are talking collaboratively with the sector about that at the moment, and we will be putting in place opportunities for people to learn much more about how things stand and where they need to go to access advice and support. Those are the practical things that we can talk about right now to help our sector move forward and continue to be the vibrant ambassador for the UK and the hugely brilliant cultural sector that it has always been.
Robin Millar
Con
Aberconwy
Question
What reassurances can be given to people like Aberconwy resident and experienced front-of-house engineer Berenice Hardman that practical arrangements such as visas, carnets, and cabotage will be easier and simpler for them to deal with in the future?
Minister reply
The minister assures that conversations will be held with colleagues across all EU nation states to facilitate smoother, faster, and more understandable arrangements. The goal is to ensure that these practicalities can be as easy and clear as possible.
Shadow Comment
Pete Wishart
Shadow Comment
The response from the Minister is disappointing as it means that tours are beyond financial reach for future musicians due to visas and carnets. This not only affects new musicians but also increases costs and red tape for the whole creative sector, including crews, technicians, set designers, and transport. The EU offered a 90-day deal which was turned down by the Government despite promising no change in arrangements. There are now 263,000 petitioners calling for this issue to be resolved. The SNP calls on the Minister to restart talks with the EU immediately to secure necessary arrangements.
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